Arms
ARM 1
8/31/2021As we venture towards the head, I can’t help but feel this passageway through is a representations of Shelly’s secrets. Everything I’ve done so far teeters on a line of ritualism, and I can’t help but feel that this arm takes the ritual a step further.
Based on the fuller functioning results of the other pieces through her body, I was almost prepared to write these findings off as a mistake… Until the voices started coming through. It makes me wonder if there are other voices hidden in my recordings.
Why are they appearing at all? Is this a form of spiritual interference, or is it something more based in my own mistakes that is causing this? Is this proof of cell memory as well as a remembrance of the dead?
ARM 2
9/4/2021I think the limbs are all transitional, and also that chakra points are involved. I can’t deny the relationship with how energy seems to be flowing here. Our arms and legs are just highways of spiritual energy that lead to the rest of the body, and it allows us the connections to our hands and feet. In addition, knees and elbows have no effect on the flow of this energy. If it had any say in our process, it would’ve created a stronger transitioning point.
This piece contains energies from 5 versions of the same song. I recognized “We’ve Only Just Begun” by the Carpeenters immediately, only to find there were more variations here to cover. Does this mean that there’s higher intelligence communicating to me here through multiple forms? In other words, are the dead communicating to each other, to then communicate to me on the outside? How else would we have a chance at this result without a coordinated effort?
I will admit, this did make it easier to hide the arm sections documents, since I’ve been using the samples as a password to go deeper on each body part page. Even so, it seems when it comes to figuring any of this out, we’ve only just begun.
